A Okay-pop act’s title monitor isn’t at all times the perfect track on their album, even when it’s the one most individuals will hear. Generally, b-sides deserve recognition too. Within the singles-oriented world of Okay-pop, I need to highlight a few of these buried treasures and provides them the props they deserve.

Having listened to the brand new G-Dragon album a number of occasions, it’s in all probability my least favourite venture of his. I anticipated this to be the case, as long-awaited albums coming late in an artist’s profession have a spotty monitor report. Aside from the wonderful Dwelling Candy Dwelling, the album’s songs are strong however usually a bit aimless with regards to construction. The retro — virtually psychedelic — IBELONGIIU is the album’s most attention-grabbing second in its surprising nods to the music of Prince, however the track that comes subsequent will seemingly be the largest crowd pleaser.

Take Me retraces the funk pop roots of G-Dragon’s 2009 debut album, feeling virtually like a religious successor to tracks like Breathe. His vocals sound most polished right here, largely free from the grit that has taken over his tone over the previous few years. This makes me surprise if the monitor had been recorded years in the past and solely launched now. There are some beautiful melodies buoying this track, particularly as we cruise into the pre-chorus. Rhythm guitar provides a enjoyable disco contact, completely complimenting GD’s distinctive colour. The track solely suffers from its relative flatness. Regardless of a blazing guitar solo from dance legend Nile Rodgers, Take Me misses the chance to construct towards a knockout finale. It’s a lightweight contact needing only a bit extra persona, but it surely’s the Übermensch b-side I’m most excited to listen to when it comes up on the playlist.

Grade: B