Rick Springfield realized firsthand how exploitative the music business could be to naive younger artists.

Throughout a latest dialog with SiriusXM’s Eddie Trunk, the “Jessie’s Woman” singer detailed one among his greatest early profession mishaps.

“The music enterprise has all the time preyed on the younger. Completely,” Springfield famous. “And I received preyed on once I was like 20 and I signed away my publishing rights as a result of I did not know any higher.”

READ MORE: How Rick Springfield Knew His Largest Music Would Be a Hit

“I used to be in Australia and these massive People despatched over this contract and we did not learn about attorneys,” the rocker continued. “I did not actually have a lawyer take a look at it and I simply mentioned, ‘OK, this have to be truthful.’ And I signed it and realized a few years later that they owned all of my publishing.”

Rick Springfield Helps Taking ‘All Their Music Again’

Whereas Springfield chalked up the expertise as “simply the way in which of the world,” he additionally recommended artists like Taylor Swift who’ve discovered artistic methods to regain management of their music catalogs.

“[It] would all the time amaze me that I would spend $100,000 on a frigging video within the ‘80s and the file firm would personal it,” the singer remarked. “Nearly all of [the labels] simply would shove product down the pipeline as a lot as they may, till the pipeline choked. That was sort of their strategy. So each artist has completely their as a result of take all their music again.”

Springfield launched his compilation album Large Hits: Rick Springfield’s Best Hits, Vol. 2. He’ll additionally hit the highway for the I Need My ’80s tour alongside John Waite starting Could 28.

Hearken to Rick Springfield on the ‘UCR Podcast’