I’ve listed my “high tens” for a lot of artists, nevertheless it’s time to rummage via total discographies and rank each single from worst to greatest. This characteristic will primarily sort out teams who’ve disbanded or gone on indefinite hiatus. It’s a method for me to re-evaluate my preliminary ideas on their singles run. Don’t be stunned if the order has modified from previous countdowns. This stuff are all the time in flux!

READ OTHER “RANKING EVERY SINGLE” FEATURES HERE!

17. Wow Conflict Tonight (2016)

I’m placing this on the backside not as a result of it’s a nasty music (it’s an incredible basic, truly), however as a result of it’s been coated by one million J-pop acts already and AOA’s model doesn’t actually do something new with it. (full overview)

16. I’m Jelly Child (AOA Cream) (2016)

I used to be overly harsh on this when it was launched. It’s nonetheless not a favourite, however I really like the funky synths and the melodies are nice. (full overview)

15. Bing Bing (2017)

This seems like a lesser model of different tracks, however its brassy bounce remains to be satisfying. (full overview)

14. Confused (2013)

This massive brassy sound fits them very nicely.

13. Come See Me (2019)

It is a good EDM banger to ship the group off. It’s not as memorable as their greatest work, however nonetheless embraces the campy enjoyable they have been identified for. (full overview)

12. Bingle Bangle (2018)

This chirpy summer time sound is a bit completely different for AOA however contains sufficient of their musical hallmarks to work nicely. (full overview)

11. Good Luck (2016)

I like this, nevertheless it seems like a comedown after their glorious 2014-15 materials. The mini album’s nice, although. (full overview)

10. Give Me The Love (ft. T.M.Revolution) (2016)

It’s nonetheless loopy to me that AOA collaborated with T.M.Revolution of all individuals. The music is sweet, however must be superb given this stage of expertise. (full overview)

9. Moa (AOA Black) (2013)

Regardless of this being the group’s first “band” launch, it truly sounds nearer to the Courageous Brothers produced pop that will finally make them enormous.

8. Oh Boy (2015)

AOA’s Japanese work maintained lots of the components that made their Okay-pop releases so profitable and Oh Boy is the strongest instance.

7. Excuse Me (2017)

The swirling, hypnotic refrain is such a profitable hook. (full overview)

6. Miniskirt (2014)

This was the massive breakout second for AOA and it’s straightforward to see why. It’s so slinky and addictive. (full overview)

5. Get Out (2012)

The synths and total manufacturing are tremendous dated, however in a enjoyable method. Nice melodies assist this stand out.

4. Brief Hair (2014)

At this level, AOA had actually discovered their groove. Brief Hair’s refrain stays one among 2014’s most enduring.

3. Elvis (2012)

That is such a unusual sound, displaying easy methods to completely steadiness bratty sing-talk with ultra-catchy melodies and thrilling manufacturing. (full overview)

2. Like A Cat (2014)

What an earworm! I’m unsure any music has ever captured feline slinkiness higher. The refrain remains to be so addictive at this time. (full overview)

1. Coronary heart Assault (2015)

Enjoyable truth: that is truly my second most-played lady group observe… ever. (Properly, no less than since I began retaining observe in mid-2015.) That’s how a lot I like it. So far as I’m involved, that is Okay-pop (and Courageous Brothers) perfection.